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"The RIde of the Valkyries" from Die Walkure

"The RIde of the Valkyries" from Die Walkure by Richard Wagner performed by the Radio Filharmonisch Orkest Holland conducted by Edo De Waart
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Richard Wagner - Siegfried funeral march

Richard Wagner
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Wagner - Die Walküre: "The Ride of the Valkyries" (Boulez)

start of Act III, as the Valkyries gather the soldiers' bodies, and clip ends a bit after Brünnhilde's entrance. Wagner used the Valkyries of the Norse Sagas, rather than the depiction of them in the Nibelungenlied. Women of death and warfare, as Chéreau understood well. from Darraðarljóð (Njál's saga Chap. 156.): Vindum, vindum vef darraðar, þars er vé vaða vígra manna! Látum eigi líf hans farask; eigu valkyrjur vals of kosti. Wind we, wind swiftly Our warwinning woof. sword-bearing rovers To banners rush on, Mind, maidens, we spare not One life in the fray! We corse-choosing sisters Der Ring des Nibelungen, a famous production from Bayreuth 1976, recorded 1980. Carmen Reppel as Gerhilde Gabriele Schnaut as Waltraute Gwendolyn Killebrew as Schwertleite Karen Middleton as Ortlinde Gwyneth Jones as Brünnhilde Katie Clarke as Helmwige Ilse Gramatzki as Grimgerde Jeannine Altmeyer as Sieglinde Elisabeth Glauser as Rossweisse Marga Schiml as Siegrune Conducted by Pierre Boulez Directed by Patrice Chéreau, who had very little experience with opera, and his only exposure to Wagner on stage was a performance of Die Walküre at the Paris Opéra that he slept thru. Scenic design by Richard Peduzzi, who had never designed a Wagner opera Costumes by Jacques Schmidt, who had never dressed a Wagner opera Der Walküren-Ritt La Chevauchée des Walkyries
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Wagner -- Götterdämmerung -- Hagen's Watch (Salminen)

Hagen, left to keep watch, broods on his plot's success ("Hier sitz ich zur Wacht"), at end of Act 1, scene 2. Then transition into scene 3. Levine and those superb Met players, plus a terrific Matti Salminen! Matti Salminen as Hagen music by Richard Wagner, film production from 1991.
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Richard Wagner. Tristan - Isolde Prelude

Richard Wagner. Tristan - Isolde Prelude
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Wagner: Tristan und Isolde - Prelude

Zubin Mehta conducting Bayerische Staatsoper Bayerisches Staatsorchester (National Theatre Munich)
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Wagner Love - "I know" (offizielles Musikvideo)

"I know" ist der offizielle Song zum Film "Love Vegas" mit Cameron Diaz und Ashton Kutcher. www.wagnerlove.de www.myspace.com/thisiswagnerlove
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rammstein sonne complete

sonne complete (I ripped parts of the Lichtspielhaus dvd.. so in this video you can see and listen the sone complete song... and the real begining of the video....) ":":"KANON":":"
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Richard Wagner, Lohengrin Prelude

Richard Wagner, Lohengrin Prelude
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Richard Wagner - Walkürenritt

Wilhelm Richard Wagner (22 May 1813, Leipzig, Germany - 13 February 1883, Venice, Italy) was a German composer, conductor, music theorist, director, and essayist, primarily known for his operas (or "music dramas", as they were later called). Unlike most other great opera composers, Wagner wrote the scenario and libretto for his works. Wagner's compositions, particularly those of his later period, are notable for contrapuntal texture, rich chromaticism, harmonies and orchestration, and elaborate use of leitmotifs: musical themes associated with particular characters, locales or plot elements. Wagner pioneered advances in musical language, such as extreme chromaticism and quickly shifting tonal centres, which greatly influenced the development of European classical music. He transformed musical thought through his idea of Gesamtkunstwerk ("total artwork"), the synthesis of all the poetic, visual, musical and dramatic arts, epitomized by his monumental four-opera cycle Der Ring des Nibelungen (1876). To try to stage these works as he imagined them, Wagner built his own opera house.
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Arturo Toscanini "The Ride of the Valkyries" Wagner

NBC Orchestra, 1948
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zach wagner

good shit
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Excalibur (1981) - Final scene King Arthur's Death

Excalibur (1981) Last scene and end credits of film. Great ending.
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Wagner：ワルキューレの騎行

曲のみ。指揮：フルトヴェングラー演奏：ウィーンフィル
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Jack Wagner - All I Need (1985)

Jack Wagner - All I Need
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Venusburg music [finale] from Tannhäuser - Richard Wagner

'Liebestod' from "Tristan und Isolde" Music by Richard Wagner (1813-1883) Slovak Philharmonic Orchestra/Michael Halasz
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wagner moura funk paparapapá papapá!

paparapapá papapá!....aauhauh
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Wagner - RIDE OF THE VALKYRIES - Furtwangler

The Ride of the Valkyries, by Richard Wagner, in a classic recording with Wilhelm Furtwangler and the Vienna Philharmonic. Illustrations are by Arthur Rackham. "One golden summer in adolescence...I heard the 'Ride of the Valkyries' on a gramophone and saw Arthur Rackham's illustrations to The Ring." (C.S.Lewis) The music: probably the most famous and instantly identifiable of Wagner's works is this short orchestral prelude from Die Walkure, the second opera in the monumental Der Ring des Nibelungen. It has gone on to enter popular culture, being used in many films, most notably the helicopter attack sequence in Apocalypse Now. In terms of composition it perfectly demonstrates Wagner's epic sense of drama, and also his masterful orchestration. The conductor: Wilhelm Furtwangler is probably unrivalled as an interpreter of the core Austro-German Romantic repertoire, setting benchmarks in the performance of Beethoven, Schubert, Brahms, Wagner, Bruckner and others. His recordings include two complete Ring Cycles, both of them classics. The illustrations: Arthur Rackham was one of the greatest illustrators at the turn of the 19th century, creating classic visions for fairy tales and fantasies (Alice, Peter Pan, etc.). His work on Der Ring des Nibelungen is often considered one of the finest visual depictions of Wagner's epic. Sound: sorry the quality isn't first class - the recording is nearly sixty years old! (Imagine what Furtwangler could do with digital surround sound...) Hope you enjoy, and please get in touch if you have any comments or suggestions. If you want to hear more, do subscribe...
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Wagner: Die Walküre - Act 1 (finale)

Siegmund and Sieglinde declare their love and flee Hundings house - in spite of the fact they are long-lost brother and sister. Placido Domingo makes his BBC Proms debut in this concert performance from 2005 of the second part of Wagner's immortal "Ring" cycle. Placido Domingo is Siegmund Waltraud Meier is Sieglinde The Orchestra of the Royal Opera House is conducted by Antonio Pappano.
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Wilhelm Furtwangler, Wagner & Goebbels

Factory, workers and Wagner intertwine in Goebbel's nazi-propaganda. Wilhelm Furtwängler conducts Richard Wagner's "Meistersinger Prelude" at A.E.G. Factory, Berlin, February 26th 1942. Source: Deutsche Wochenschau No. 606 April 15, 1942. http://en.wikipedia.org/wiki/Wilhelm_Furtw%C3%A4ngler http://www.furtwangler.net/doc/WF35-47.pdf
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Wagner: Die Walkure: Walkurenritt (Karl Böhm)

Wagner: Die Walkuere (The Valkyrie) Hojotoho! Heia! 'Ride of the Valkyries' (Walkurenritt) Karl Böhm/ Bayreuth Festival Orchestra (Birgit Nilsson is Brünnhilde)
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Bryn Terfel sings Wagner

Bryn Terfel sings the monologue of Hans Sachs from Wagner's opera Die Meistersinger von Nurnberg
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Wagner - Sinopoli - Parsifal Act 3

The finale of Act 3 of Wagner's final opera 'Parsifal' from a Bayreuth production recorded in 1998. Parsifal has returned the sacred spear back to the community of Grail Knights, proving he is the 'innocent fool' of Gurnemanz's prophecy. Parsifal uncovers the grail, the knights announce their "redeemer redeemed" and the opera closes with some of the most beautiiful and powerful music ever written. Falk Struckmann is Amfortas Matthias Holle is Titurel Hans Sotin is Gurnemanz. Poul Elming as Parsifal. The chorus and orchestra of the Bayreuth Festival is conducted by Giuseppe Sinopoli. Music and Libretto by the one and only Richard Wagner!!
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Older pilgrims' chorus Tannhauser act 3

Wagner
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Wagner- Parsifal - Act III - Good Friday Music (Kurt Moll)

from Parsifal's "Du salbtest mir die Füsse" to the peal of bells in the distance before "Mittag". Parsifal, opera, WWV 111, Karfreitagszauber (Good Friday Spell) Kurt Moll (Gurnemanz), Siegfried Jerusalem, and Waltraud Meier - Levine conducts. go here to see this performance continue at "Mittag": http://www.youtube.com/watch?v=RX5f0ZYO7d8 A warm and sunny Good Friday, with its mood of sacred solemnity, once inspired me with the idea of writing Parsifal; since then it has lived within me and prospered, like a child in its mother's womb. With each Good Friday it grows a year older, and I then celebrate the day of its conception, knowing that its birthday will follow one day. [Letter from Richard Wagner to King Ludwig, 14 April 1865] Barry Millington writes: In his searching essay, "The Sorrows and Grandeur of Richard Wagner", Thomas Mann comes closer than most commentators to describing the sublime, monumental effect of Wagner's music. It is marked by "pessimistic heaviness and measured yearning", he says, and speaks of "forces struggling out of dark confusion to find deliverance in beauty". Nowhere is that sense of a weighty tread allied to unearthly, exalted eloquence more evident than in the composer's last, most masterly score, Parsifal (1877-82).. Parsifal, after many years of wandering, appears with the spear that will heal Amfortas's wound. Gazing on the beautiful meadows, Parsifal says that on Good Friday every living thing should only sigh and sorrow, and the radiant Good Friday Music is a poignant meditation on the chief themes of the opera: suffering, compassion and redemption.
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